Eoin Butler: writer, journalist and Mayoman of the Year
Tripping Along The Ledge
clondalkin
“To be fair, we did just whizz past in a bright pink discotheque on wheels. He might have been a little bit distracted.”
‘I THINK I went to school with that guy,” mutters 28-year-old Chris Dunne of Absolute Limos as he navigates a roundabout in Clondalkin, west Dublin. Its 8pm on Saturday and we’re en route to the first pick-up of the night. When the passerby does not return his salute, Dunne is disappointed. “He didn’t even acknowledge me!”
To be fair, I point out, we did just whizz past in a bright red discotheque on wheels. He might have been a little bit distracted. Read the rest of this entry »
“To be fair, we did just whizz past in a bright pink discotheque on wheels. He might have been a little bit distracted.”
‘I THINK I went to school with that guy,” mutters 28-year-old Chris Dunne of Absolute Limos as he navigates a roundabout in Clondalkin, west Dublin. Its 8pm on Saturday and we’re en route to the first pick-up of the night. When the passerby does not return his salute, Dunne is disappointed. “He didn’t even acknowledge me!”
To be fair, I point out, we did just whizz past in a bright red discotheque on wheels. He might have been a little bit distracted. Read the rest of this entry »
Published: Irish Times, July 29 2010“To be fair, we did just fly past in a bright pink discotheque on wheels. He might have been a little bit distracted.”
‘I THINK I went to school with that guy,” mutters 28-year-old Chris Dunne of Absolute Limos as he navigates a roundabout in Clondalkin, west Dublin. Its 8pm on Saturday and we’re en route to the first pick-up of the night. When the passerby does not return his salute, Dunne is disappointed. “He didn’t even acknowledge me!”
To be fair, I point out, we did just whizz past in a bright red discotheque on wheels. He might have been a little bit distracted. Read the rest of this entry »
Nitelink 69N: a critical analysis
The sights, sounds and smells of late night urban transportation are all powerfully evoked by Nitelink 69N (Westmoreland Street, 2.45am). The dialogue is crisp and authentic, with some riveting individual performances extracted from a cast of veritable unknowns. Read the rest of this entry »
Nitelink 69N: a critical analysis
The sights, sounds and smells of late night urban transportation are all powerfully evoked by Nitelink 69N (Westmoreland Street, 2.45am). The dialogue is crisp and authentic, with some riveting individual performances extracted from a cast of veritable unknowns. Read the rest of this entry »
NITELINK 69N: A CRITICAL ANALYSIS
The sights, sounds and smells of late night urban transportation are all powerfully evoked by Nitelink 69N (Westmoreland Street, 2.45am). The dialogue is crisp and authentic, with some riveting individual performances extracted from a cast of veritable unknowns. Read the rest of this entry »
NITELINK 69N: A CRITICAL ANALYSIS
The sights, sounds and smells of late night urban transportation are all powerfully evoked by Nitelink 69N (Westmoreland Street, 2.45am). The dialogue is crisp and authentic, with some riveting individual performances extracted from a cast of veritable unknowns. Read the rest of this entry »